

Drawing this quickly forces me to feel my way round the drawing, albeit frantically, the results of which can be pretty hit and miss:

The great thing about starting off with a dozen or so short poses, is that it puts you in a great frame of mind when you leap up to a 10 minute pose like this:

Here, I still blocked in my main shapes in the first minute or so, then had much more time to go over them - improving on the pose, altering angles (eg. wrists, knees) and building detail.
This next pose was actually held for 30 minutes, but I chose to study it from a different angle every 10 minutes:



As you can see, by the third drawing I felt I had a deeper understanding of the subject. I feel this drawing has a clearer sense of mass and weight distribution. The pose also feels more balanced on a graphic / tonal level.
Here's a couple of random 5 minute studies from the session:


The longest pose of the evening was 30 minutes:

Can't decide how I feel about this one, my instinct tells me it looks way too laboured which explains why there's no sense of life to it at all.
I feel better about this one:

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